gene kelly grandchildren

Kelly was admitted to the University of Pittsburgh Law School. "[11] He was also heavily influenced by an African-American dancer, Robert Dotson, whom he saw perform at Loew's Penn Theatre around 1929. He choreographed his own movement, along with that of the ensemble, with the assistance of Jeanne Coyne, Stanley Donen, Carol Haney, and Alex Romero. In his book Easy the Hard Way, Joe Pasternak, head of another MGM musical units, singled out Kelly for his patience and willingness to spend as much time as necessary to enable the ailing Garland to complete her part. Kelly divorced Blair in 1957. [14]Kelly asked the studio for a straight acting role and he took the lead role in the early mafia melodrama Black Hand (1950). Despite this, critic Manny Farber was moved to praise Kelly's "attitude", "clarity", and "feeling" as an actor while inauspiciously concluding, "The two things he does least well—singing and dancing—are what he is given most consistently to do. This separation was prompted, in part, by a trip Kelly made to Mexico in which he became convinced that the church had failed to help the poor in that country. 1962 – Gene Kelly Dance Film Festival staged by the Museum of Modern Art 1964 – Best Actor Award for What a Way to Go! [39] However, after becoming disenchanted by the Roman Catholic Church's support for Francisco Franco against the Second Spanish Republic during the Spanish Civil War,[40] he officially severed his ties with the church in September 1939. [14] It gained an Emmy nomination for choreography and now stands as the key document explaining Kelly's approach to modern dance.Kelly appeared frequently on television shows during the 1960s, including Going My Way (1962–63), which was based on the 1944 film of the same name.

[14][22]In Kelly's next film, Anchors Aweigh (1945), MGM gave him a free hand to devise a range of dance routines, including his duets with co-star Frank Sinatra and the celebrated animated dance with Jerry Mouse—the animation for which was supervised by William Hanna and Joseph Barbera.

[27] Early in 1960, Kelly, an ardent Francophile and fluent French speaker, was invited by A. M. Julien, the general administrator of the Paris Opéra and Opéra-Comique,[11] to select his own material and create a modern ballet for the company, the first time an American had received such an assignment. Gene Kelly always wanted his son to pull himself up on his own, but he wasn’t hidebound about it. First, Gene is easygoing as long as you know exactly what you are doing when you're working with him. [14] He became involved in the university's Cap and Gown Club, which staged original musical productions.

1964).

He subsequently directed and co-starred with his friend Fred Astaire in the sequel That's Entertainment, Part II (1976). Eugene Curran "Gene" Kelly (August 23, 1912 – February 2, 1996) was an American dancer, actor, singer, film director and producer, and choreographer.

He was the third son of James Patrick Joseph Kelly, a phonograph salesman, and his wife, Harriet Catherine Curran. [44]1942 – Best Actor award from the National Board of Review for his performance in For Me and My Gal 1946 – Academy Award nomination for Best Actor in Anchors Aweigh (1945) 1951 – Nominated for a Golden Globe Award for Best Actor in a Motion Picture Musical or Comedy for An American in Paris 1952 – Honorary Academy Award "in appreciation of his versatility as an actor, singer, director and dancer, and specifically for his brilliant achievements in the art of choreography on film." [37]Kelly was a lifelong supporter of the Democratic Party. He negotiated an exit to his contract that involved making three further pictures for MGM. [26]At the peak of his creative powers, Kelly made what in retrospect some see as a mistake. This exposé of organized crime is set in New York's "Little Italy" during the late 19th century and focuses on the Black Hand, a group that extorts money upon threat of death. In Paris, he directed Jackie Gleason in Gigot (1962), but the film was drastically recut by Seven Arts Productions and flopped. His first marriage was to actress Betsy Blair in 1941. (1964) at the Locarno International Film Festival 1967 – Emmy for Outstanding Children's Program for Jack and the Beanstalk 1970 – Nomination for Golden Globe, Best Director for Hello, Dolly!, 1969 1970 – Nomination from the Directors Guild of America, Best Director for Hello, Dolly!, 1969 1981 – Cecil B. DeMille Award at Golden Globes 1981 – Kelly was the subject of a 2-week film festival in France 1982 – Lifetime Achievement Award in the fifth annual Kennedy Center Honors 1985 – Lifetime Achievement Award from the American Film Institute 1989 – Life Achievement Award from Screen Actors Guild 1991 – Pittsburgh Civic Light Opera inaugurated the Gene Kelly Awards, given annually to high-school musicals in Allegheny County, Pennsylvania. 1992 – Induction into the American Theater Hall of Fame 1994 – National Medal of Arts awarded by United States President Bill Clinton[46] 1994 – The Three Tenors performed "Singin' in the Rain" in his presence during a concert at Dodger Stadium in Los Angeles. [20] He created a memorable routine dancing to his own reflection. His final film project was the animated film Cats Don't Dance, not released until 1997, on which Kelly acted as an uncredited choreographic consultant.

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