how many albums do you have to sell to go diamond
Which isn't to say The impossible was possible for Billy Corgan & Co. in the mid-‘90s, when the world briefly opened like an oyster to the Great Pumpkin’s brand of re-circulated teen angst and unapologetically precious poetry. Dawn hip(pie)-hop, though, and can’t be mad that the inclusion of Curtis Stigers’ “(What’s So Funny ‘Bout) Peace, Love, and Understanding” cover ensures that Nick Lowe eats for life.The blown-out blues covers are hardly as essential as early Zeppelin got, but the mind-melting “Dazed & Confused” and road-tripping “Good Times Bad Times” were close, while acoustic instrumental “Black Mountain Side’ and closing extendo-jam “How Many More Times” pointed towards how much more the band would soon have to offer.
Side two has some duds and “Don’t Stop” may not be salvageable from Clinton-era misuse, but no musical document of a period this messy should ever risk total perfection.No blistering collection of paeans to youthful aimlessness has ever ended up foisting such a sense of purpose on a band – within a decade of Brilliantly produced, marketed and executed frat-hop satire that eventually ate its own tail, The album that cemented Zeppelin as the band that all future rock bands would at some point want to be; the quartet should get a yearly stipend from Sam Ash and Guitar Center. singles that raised the bar for all of Orlando-based pop music at the turn of the century. 30 days after the release date (for albums/songs in physical product format) OR; At the release date (for albums/songs in digital product format). How many albums do you have to sell to go silver, gold and platinum? Due to their heavy reliance on synths, there was a time when gems like “I’m on Fire” and “Dancing in the Dark” were absurdly perceived as Less Than in the Springsteen catalog -- but after a decade where one out of every five cool bands has covered at least one of them, it’s unlikely anyone under 20 will ever know of it.Late-‘70s Fleetwood Mac may have been a living soap opera, but soaps don’t have soundtracks this good – copious amounts of sex, drugs and betrayal inspiring the creeping-smile funk of “You Make Loving Fun” and the shrugging devastation of “Dreams,” classics that somehow manage not to let torrential emotion overwhelm immaculate craft. Kenny G songs. Source(s): ... gold 500,000 platinum 1,000,000 2x 2,000,000 diamond 10,000,000. These are the numbers in the US. S.Y.S.T.E.M. “Jump” is basically “Ode to Joy” for the MTV generation, “I’ll Wait” proves David Lee Roth could’ve taken on love songs eventually (maybe, possibly), and “Hot for Teacher” has an intro more exciting and jaw-dropping than a hundred Slam Dunk Contests.Prog-rock expertly streamlined to the point where it can be easily understood by impressionable teens, flowing like a movie despite following no narrative besides its own dreamlike logic, with classic-rock staples like “Time” and “Money” serving as the central set pieces.
“How You Ever Gonna Know” is one of his most pristine pop/rock efforts, though, and kudos to Garth for being the first country megastar to recognize the potential in swagger-jacking Jimmy Buffett (“Two Pina Coladas”), beating Alan Jackson to the punch by a half-decade.No better testament to the world-swallowing phenomenon that was When Matchbox 20 went supernova in the late ‘90s, it was obvious grunge’s moment was officially over, though what it was being replaced with wasn’t totally clear: Rob Thomas wrote pretty good singles, but what exactly they added up to remained ambiguous. When you can go to a college dorm and not see If any album should be let off the hook for selling half as much and having half the reputation as its predecessor, it’s Two discs’ worth of Amerika’z Most Wanted lighting fires and laughing while they burn, and it's about as exciting (and catchy) as youthful nihilism gets. “It Makes Me Ill” began the venting that’d consume the group on If not the least-likely megastar of MTV’s first decade then certainly the baldest, Phil Collins had perfected his brand of turbo-pop by 1985, leading to his most successful album with or without Genesis. The requesting label must separate PX sales from other accounts on sales sheets. A solid power-pop album -- just one whose genial frat-rock veneer blankets any underlying urgency or desperation. Answer Save. 0 0 0. Doesn’t last the whole way, unfortunately: Once Lucky accepts her Academy Award, feel free to FF through the rest.Strewn with AOR classics, no doubt, but for a band who's become close to synonymous with overblown stadium rock, you might be surprised by how frisky this set is -- whether REO is mixing power pop with Bo Diddley on "Don't Let Him Go," or throwing back to the girl group era (with falsetto to match!)
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