janet weiss st vincent
The band has acknowledged her decision in a statement of their own. You can read Weiss’ statement posted to Twitter below. But sex for Brownstein isn’t just a roll in the hay – it’s a counterweight to the abuse she faces by living in public (“you know I’m unfuckable, unlovable, unlistenable, unwatchable”), that lets her “erase the marks, begin again”. With certain people, you can just sense there’s something lurking there that’s simpatico.
Before she hooked up with Sleater-Kinney, she had a job at an ad agency. On The Future Is Here, her day begins on her phone, looking at the news, and ends on it too, perhaps looking at messages or photos from a decaying relationship. The news came as the band was starting … The band’s guitars are made to feel like synths on the Enjoy the Silence-channelling Reach Out, given a new-wave sheen on the brilliant chorus of Hurry On Home, and turned into dinky Devo toys on Love.
All rights reserved. Janet Weiss announced she’s leaving Sleater-Kinney, surprising fans since, they're on verge of releasing a new album and an upcoming tour. The Pacific Northwest trio went on hiatus for a decade after what many consider their masterpiece, It would be futile, and a bit tacky, to try and infer exactly what Weiss is unhappy about. Oh, and also, changed the key
Janet Weiss has given her first interview since her departure from Sleater-Kinney in July, as Rolling Stone notes. Tucker and Brownstein dropped their riot grrrl eruption “I was intimidated to play with her,” Corin Tucker told me in 2003. Experiencing the music together has been the honor of a lifetime. Thank you sustaining me the past 24 years and proving without a doubt that love and connection are what saves us.”Janet Weiss always had the vibe of the band’s no-bullshit big sister — older and worldlier than the other two, repping Portland rather than Olympia, the most intimidating member of an impeccably intimidating threesome. But the first time we played with Janet, she was so powerful. Join our slacker world!’”The first song they tried together at practice was “Dig Me Out.” “They were like, ‘See what you can come up with.’ That was an amazing first song to play together.
The Trio Blew Up. “I just think the two of them are so connected and they really agree on almost everything, they just thought, ‘We’re gonna take this band somewhere and we want to be in charge of that, the two of us.’ I think I was a threat to where they wanted the band to go, and who I am, and that felt bad to me.”Weiss added, “They had very specific ideas of what they wanted, and I just didn’t fit anymore. Big changes. We couldn’t get on the same page. Age, too, plays its part: on The Dog/The Body, Brownstein admits she’s now “just the trick without the magic”, a wonderfully wry, smutty double meaning, while on Love she says she’s “done with being told that this should be the end” and celebrates “a well-worn body demanding to be seen”.
© Copyright 2018 Rolling Stone, LLC, a subsidiary of Penske Business Media, LLC. On July 1, Janet Weiss posted a social media missive announcing her departure from Sleater-Kinney. This reaches its apex in Hurry On Home, where she seems to toss and turn on a bed, hopelessly horny, squeak-purring for someone to “disconnect me from my bones”. On Monday morning Weiss announced that after 24 … It was a total blind date. The connection has to be worthwhile to go through all the irritations that are inevitably included in this lifestyle.”Sleater-Kinney were already a great band before Weiss joined, but she pushed them to a new level. To the dearest SK fans – you’re the raddest fans in the universe and I love you. Weiss gets a rare bit of invention on the title track, her drums miked up miles away so they sound like iron being forged in a vast warehouse, and that mood fills other tracks: a bedrock of sleazy static is the sound of friction itself.This is a rather post-apocalyptic landscape – on Ruins, strife manifests as Godzilla – but Brownstein and Corin Tucker romp across it with a series of excellent pop melodies. “They’re not evil people,” she said. Weiss joined Sleater-Kinney in 1996, first appearing on the album Dig Me Out. Janet Weiss, the drummer of Sleater-Kinney, has announced her surprise departure from the band after 24 years.. It’s perhaps the perfect project for Clark, who on her solo records can infill and tinker to the point of fussiness – here, with the restriction of a trio, there’s only so much they can play. It just became a disconnect.”Weiss went on to discuss her relationship with bandmates Carrie Brownstein and Corin Tucker. ... and the drummer Janet Weiss — you took Brownstein’s guitar riff and made it the lead? But I couldn’t be in that band and have it not be equal, especially with what it represents to me. We didn’t know if we would get along. But it’s fair to say that Clark makes the drums the least interesting thing about this record: though they are almost all clearly recorded live, they are often made to feel like drum machines, merely there to keep time.
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