ted williams now

“But I didn’t do anything with it. In more than 100 years of Nobel Peace Prizes, only a dozen women have ever won. Features  Now, recently discovered color footage adds another dimension to his final, fabled at-bat.Bill Murphy, a 19-year-old student at an art college in Boston, skipped class on Sept. 28, 1960, and bought a $2 ticket to Fenway Park.

Murphy showed the film to his father and a few friends, then tossed it into a desk drawer where it has remained since, all but hidden.“At one point, the film was in the attic,” Murphy said.For the past 58 years, Williams’s last game has been seen in grainy, black-and-white, newsreel-like footage. He won the American League batting title in 1958 (at age 40) with a .328 average, the oldest player ever to do so. Upon his return to baseball in 1946 he had lost none of his skill, hitting .342 in 1946 and in 1947 winning his second Triple Crown. Murphy wrote an email to the production company that found its way to Nick Davis, the director of the film.Davis, who had been working on the Williams project since late 2015, had scoured film archives and baseball research repositories for additional footage of Williams’s last day, which he considered crucial to the narrative of Williams’s life.Davis set a March 2 deadline to cut the last version of the documentary. Concerning his abilities as a hitter, Williams once said, “A man has to have goals—for a day, for a lifetime—and that was mine, to have people say, ‘There goes Ted Williams, the greatest hitter who ever lived.’” In 1960 he announced that he would retire at the end of the year. A few minutes later, before the half inning has ended, Williams is removed from the game. His battle with the media continued, however. But this year, on the 100th anniversary of Williams’s birth, Murphy’s homemade movie, like a buried treasure, has finally been unearthed.The vibrant color footage will make its broadcast premiere on Monday in a new PBS documentary made in partnership with Major League Baseball.Murphy’s film captured each of Williams’s four plate appearances, and also shows the famous closing chapter of Williams’s long-running feud with Boston’s newspaper writers and fans when he refused, in any way, to acknowledge a roaring standing ovation that enveloped Fenway Park after the final home run.The journey of the film, from Murphy’s desk drawer to a nostalgic baseball audience eager for new images of the epic baseball farewell, is a tale that wends through the vicissitudes of everyday life and ends with serendipitous opportunity.Murphy, who went on to have a long career as an art director at three Boston advertising agencies, always believed his 1960 film was, as he said, “pretty good.” Still, he did not consider it potentially historic.“I knew it was a significant occasion, and just once many years ago, I did talk to a memorabilia expert who told me it was valuable,” Murphy, now 77 and retired, said. In the mid-summer classic’s best offensive output category, the Boston Red Sox Ted Williams’ 1946 performance wins hands down. Bill Murphy, a 19-year-old student at an art college in Boston, skipped class on Sept. 28, 1960, and bought a $2 ticket to Fenway Park. “It was the holy grail.”Nick Trotta, M.L.B.’s senior director of media programming and licensing, immediately verified what was contained in Murphy’s footage, shocked by the quality of the film itself. “I took my camera to the front row and shot scenes as I roamed freely around the park all afternoon.”A few days after the game, Murphy developed the film. It was an unknown thing — just part of my stuff that went with me for all those years. Ted Williams was …

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